R | 1h 26min | Comedy, History
Review - Matt Mungle
*In select theaters April 22*
Synopsis: The untold true story behind the meeting between the King of Rock 'n Roll and President Nixon, resulting in this revealing, yet humorous moment immortalized in the most requested photograph in the National Archives.
Review: If liberties were taken in retelling the story of the ELVIS & NIXON meeting of December 21st, 1970 that is fine. The end result is a humorous and often endearing film that showcases two power house actors. The nostalgia of the era plus the persona of these individuals only increase the watch factor. Not a perfect film but that's alright, mama.
No two characters in history have been as mimicked and impersonated as Elvis and Nixon. Both have such signature traits that you think it would be easy to portray them effectively; as long as the main elements are there. Performance grade aside, having recognizable actors playing highly recognizable characters tended to be more of a detriment than a benefit when it came to these roles.
Even in his older years Elvis (Michael Shannon) had this pretty face and school boy smile that made women melt. He had a soft and gentle nature to him that won over an entire population. Shannon has none of that. He is more on the rugged end of the handsome scale and has a tendency to be far more intimidating than charming. He is arguably one of the best dramatic actors on the planet but most women aren't swooning over him. So getting past those issues takes a while in this film. In fact you never truly feel like you are seeing Elvis but instead are watching someone pretend to talk and walk like the king. That is a hard disconnect to get past.
Nixon (Kevin Spacey) on the other hand is more about posture and voice. Spacey is able to transform easily enough and warming to him takes less time. Unless of course you are a fan of the Netflix Series House of Cards which creates an altogether different issue. Spacey plays president Frank Underwood on that show and seeing him as another White House leader is just odd. It may sound trivial but Spacey has made Underwood such an imposing character that it is hard to separate. Again it doesn't take as long to get past it but it never truly goes away.
The supporting cast superbly aide Shannon and Spacey in this one. On the White House side you have Egil Krogh (Colin Hanks) and Dwight Chapin (Evan Peters) trying to convince a reluctant and belligerent Nixon that this meeting would be a boost for public relations. At the same time Elvis' best friend and colleague Jerry Schilling (Alex Pettyfer) is trying to once again keep Presley grounded in reality. Elvis is on a mission to become an undercover drug agent and wants Nixon to give him a special badge. It was an obsession of his in the 70's as documented in many family memoirs. The film is more than anything his pursuit to obtain it.
Director Liza Johnson does a solid job of keeping the story moving and the characters engaging. The 70's in some ways were not that long ago but in others as far removed as the stone age. The lack of technology allowed for a more organic way of interaction with people and celebrities that is beautiful to watch. It is gratifying to watch people enjoy a moment for what it is and not through the lens of a mobile device. We often forget how the public idolized Elvis. Here we get a glimpse of how huge he was.
Of course the bread and butter of the flick is the actual meeting between the two men. If that doesn't work on screen then what is the point? It is that moment that all others have been leading up to. And it doesn't disappoint. That is the film's main event and when we truly get to see these strong performers perform together flawlessly.
ELVIS & NIXON is rated R for some language. Other than a few well placed expletives there is nothing even close to objectionable in this film. The story and themes are adult centered as they should be. I give it 3.75 out of 5 registered firearms. It is certainly a lot of fun to watch and a lighthearted, nostalgic look at a historical moment.
4.22.2016
4.21.2016
The Huntsman: Winter's War - Review
PG-13 | 114 min | Action, Adventure, Drama
Review - Kimberly Mungle
*In theaters April 22*
Synopsis: As a war between rival queen sisters Ravenna and Freya escalates, Eric and fellow warrior Sara, members of the Huntsmen army raised to protect Freya, try to conceal their forbidden love as they combat Ravenna's wicked intentions.
Review: Fairy Tales are pretty predictable, no one is going to deny that. The Huntsman: Winter's War is no different, but it does have some redeeming features.
Review - Kimberly Mungle
*In theaters April 22*
Synopsis: As a war between rival queen sisters Ravenna and Freya escalates, Eric and fellow warrior Sara, members of the Huntsmen army raised to protect Freya, try to conceal their forbidden love as they combat Ravenna's wicked intentions.
Review: Fairy Tales are pretty predictable, no one is going to deny that. The Huntsman: Winter's War is no different, but it does have some redeeming features.
Queen Freya (Emily
Blunt) secludes herself in the frozen North after her sister Ravenna
(Charlize Theron) betrays her. Convinced she will never feel happiness
again, she sets out to form an army of Huntsman that will protect and
grow her kingdom. Her army is made up of kidnapped children from
villages whom she raises to fight and feel no emotion…until two of her
top huntsman (Chris Hemsworth and Jessica Chastain) fall in love. Their
relationship sets off a series of events that will eventually pit
Freya, Ravenna, and that pesky “mirror on the wall” in a battle that
will surely end in someone’s death. There isn’t much about the story
that is surprising, but then again, most fairy tales are pretty
contrived.
What makes this film
worth seeing is the way it looks. The special effects are realistic and
some of the best I’ve seen in this genre. The gooeyness of the melting
people in the mirror is fantastic. Freya hitching a ride on a polar
bear? Also really nice. The costumes are dreamy…extravagance at its
best… The whimsy of the forest and all its inhabitants was fun to
watch. And the actors? Who doesn’t want to watch these four perform?
There are quite a few funny parts too, the dwarfs are anything but
politically correct and I found myself laughing at their outbursts
several times.
This film is rated
PG-13 for fantasy action violence and some sensuality. There are a few
steamy (literally steamy…like in a hot tub…) love scenes between Eric
and Sara (Chris & Jessica). I’m not complaining but they definitely
earned the PG-13. There is also quite a bit of violence. This is to
be expected considering the nature of the story. And oh, the goblins
are REALLY scary…yikes.
All in all,
I’d give this flick 3 out of 5. There really isn’t a new story here, no
plot twists or surprising endings. It was a decent follow-up to Snow
White and The Huntsman – you’ll get more of the back story and learn
more about the huntsman’s background. It is entertaining though, and
looks great. It was the perfect selection for a fun girls’ night out
with my teenage daughter.
Interview with Ira Sachs for LITTLE MEN
Ira Sachs, director of Little Men, in Dallas on April 21 for the USA Film Festival screening of Little Men.
SCREENINGS
Angelika Film Center Thu 4/21 7pm
LISTEN TO THE INTERVIEW
Synopsis: When 13-year-old Jake's (Theo Taplitz) grandfather dies, his family moves from Manhattan back into his father's old Brooklyn home. There, Jake befriends the charismatic Tony (Michael Barbieri), whose single mother Leonor (Paulina Garcia), a dressmaker from Chile, runs the shop downstairs. Soon, Jake's parents Brian (Greg Kinnear) and Kathy (Jennifer Ehle) -- one, a struggling actor, the other, a psychotherapist -- ask Leonor to sign a new, steeper lease on her store. For Leonor, the proposed new rent is untenable, and a feud ignites among the adults. At first, Jake and Tony don't seem to notice; the two boys, so different on the surface, begin to develop a formative kinship as they discover the pleasures of being young in Brooklyn. Jake aspires to be an artist, while Tony wants to be an actor, and they have dreams of going to the same prestigious arts high school together. But the children can't avoid the problems of their parents forever, and soon enough, the adult conflict intrudes upon the borders of their friendship.
SCREENINGS
Angelika Film Center Thu 4/21 7pm
LISTEN TO THE INTERVIEW
4.15.2016
Arianna - Review - DIFF2016
Italy, 2015, 84 min., Color, Italian (with English subtitles)
1h 24min | Drama | NR 18+
Review - Matt Mungle
SCREENINGS
Angelika Film Center Friday 4/15 4:45pm
Angelika Film Center Wednesday 4/20 4:45pm
Tickets and Festival info
Synopsis: Carlo Lavagna’s debut feature, ARIANNA, unfolds like a classic film mystery set in the the gorgeous Italian countryside. Arianna is nineteen years old and still hasn’t had her first period. She’s starting to notice that she hasn’t physically matured like other girls. Arianna becomes more suspicious of her condition and her parents which leads up to surprise conclusion that will shock audiences as much as it shocks Arianna herself.
Review: Foreign dramas are always a much anticipated staple at the Dallas International Film Festival. This years first offering is a beautifully shot and fantastically acted piece about one girl's self discovery. Set in the lavish Italian countryside with rich textures and natural dialogue ARIANNA is captivating and engrossing.
Ondina Quadri stars as the nineteen year old Arianna. Fabulously she controls her character with an awkward rhythm and shy curiosity. It is instantly apparent that something is not quite honest about her parents. The secret obviously holds answers to Arianna's condition. But the film never feels rushed. The audience is content to allow the story to progress at its own pace. We know we will get there in due time. Even as the tension builds and clues appear we aren't anxious about the outcome.
There is just the right amount of organic story telling and mystery to make this worthy of a festival ticket. - Matt Mungle
1h 24min | Drama | NR 18+
Review - Matt Mungle
SCREENINGS
Angelika Film Center Friday 4/15 4:45pm
Angelika Film Center Wednesday 4/20 4:45pm
Tickets and Festival info
Review: Foreign dramas are always a much anticipated staple at the Dallas International Film Festival. This years first offering is a beautifully shot and fantastically acted piece about one girl's self discovery. Set in the lavish Italian countryside with rich textures and natural dialogue ARIANNA is captivating and engrossing.
Ondina Quadri stars as the nineteen year old Arianna. Fabulously she controls her character with an awkward rhythm and shy curiosity. It is instantly apparent that something is not quite honest about her parents. The secret obviously holds answers to Arianna's condition. But the film never feels rushed. The audience is content to allow the story to progress at its own pace. We know we will get there in due time. Even as the tension builds and clues appear we aren't anxious about the outcome.
There is just the right amount of organic story telling and mystery to make this worthy of a festival ticket. - Matt Mungle
4.14.2016
The Adderall Diaries - Review
R | 1h 45min | Drama, Romance, Thriller
Review - Matt Mungle
*Opens on Friday, April 15 in DFW at Forney Cinema 12 and Starplex Hulen 10 in Fort Worth. THE ADDERALL DIARIES is currently available on DirecTV VOD.*
Synopsis: Based on the bestselling memoir by Stephen Elliott, The Adderall Diaries is the gripping and complex story of how an author’s fascination with a high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.
Review: James Franco plays journalist, writer, filmmaker Stephen Elliott in this dark, brutally emotional drama based on Elliott's 2009 memoir. Elliott is a troubled man trying to escape an even more troubled childhood. But he can't seem to get past the death of his mother, the absentee father (Ed Harris), and his teenage drug abuse. As time passes he begins to realize that his memories might not be factual. This revelation changes everything he thought was truth.
This could be one of Franco's most powerful role. We see him struggle against a past that is an unraveling thread of unhinged memories. He is in a constant state of brooding and angry disposition. But he is also a man in pain; trying to figure out if he is the victim or the reason for his personal struggles. Franco wears all of these emotions openly and this allows the viewer to experience the tension as well. The scenes with him and Harris are volatile and powerful but also extremely organic and unrehearsed.
The one downfall of the film (other than the horrific poster) is the sporadic script by Pamela Romanowsky. It is possible that the source material was too cerebral to transfer to dialogue and the big screen. The other relationships of Elliott's are not thought out and remain superficial regardless of how deep we are led to believe they were in real life. One main focus is Elliott's fixation with a murder trial. He wants to write about it and is drawn to the father on trial. As if he is trying to find a correlation between that man and his own father. But there is no cohesion and the plot line is muddled, riddled with holes, and honestly pointless.
The supporting cast of Amber Heard and Jim Parrack add some solid performances even if their characters are not well written. Heard plays a love interest that has her own ghosts and past demons. Parrack plays Stephen's best friend Roger who has been by his side since youth. Again these relationships probably ran much deeper than we get to experience here.
THE ADDARALL DIARIES is rated R for language throughout, drug use, sexuality, and some aberrant and disturbing content. It is by all means an adult drama and one that is heavy and an emotional downer. Franco's performance is its saving grace and the only reason to consider it. I give it 2.75 out of 5 rough drafts. Most will find the lack of synergy teamed with minuscule redemptive elements enough reason to avoid it.
Review - Matt Mungle
*Opens on Friday, April 15 in DFW at Forney Cinema 12 and Starplex Hulen 10 in Fort Worth. THE ADDERALL DIARIES is currently available on DirecTV VOD.*
Synopsis: Based on the bestselling memoir by Stephen Elliott, The Adderall Diaries is the gripping and complex story of how an author’s fascination with a high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.
Review: James Franco plays journalist, writer, filmmaker Stephen Elliott in this dark, brutally emotional drama based on Elliott's 2009 memoir. Elliott is a troubled man trying to escape an even more troubled childhood. But he can't seem to get past the death of his mother, the absentee father (Ed Harris), and his teenage drug abuse. As time passes he begins to realize that his memories might not be factual. This revelation changes everything he thought was truth.
This could be one of Franco's most powerful role. We see him struggle against a past that is an unraveling thread of unhinged memories. He is in a constant state of brooding and angry disposition. But he is also a man in pain; trying to figure out if he is the victim or the reason for his personal struggles. Franco wears all of these emotions openly and this allows the viewer to experience the tension as well. The scenes with him and Harris are volatile and powerful but also extremely organic and unrehearsed.
The one downfall of the film (other than the horrific poster) is the sporadic script by Pamela Romanowsky. It is possible that the source material was too cerebral to transfer to dialogue and the big screen. The other relationships of Elliott's are not thought out and remain superficial regardless of how deep we are led to believe they were in real life. One main focus is Elliott's fixation with a murder trial. He wants to write about it and is drawn to the father on trial. As if he is trying to find a correlation between that man and his own father. But there is no cohesion and the plot line is muddled, riddled with holes, and honestly pointless.
The supporting cast of Amber Heard and Jim Parrack add some solid performances even if their characters are not well written. Heard plays a love interest that has her own ghosts and past demons. Parrack plays Stephen's best friend Roger who has been by his side since youth. Again these relationships probably ran much deeper than we get to experience here.
THE ADDARALL DIARIES is rated R for language throughout, drug use, sexuality, and some aberrant and disturbing content. It is by all means an adult drama and one that is heavy and an emotional downer. Franco's performance is its saving grace and the only reason to consider it. I give it 2.75 out of 5 rough drafts. Most will find the lack of synergy teamed with minuscule redemptive elements enough reason to avoid it.
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